Tuesday, May 12, 2009

The Man Who Laughs (Paul Leni) ***



Director: Paul Leni



Cast: Conrad Veidt, Mary Philbin, Olga Baclanova, Brandon Hurst, Cesare Gravina


Background: Producer Carl Laemmle chose director Paul Leni to direct this Victor Hugo adaptation based on unique style of Leni's 1926 picture Waxworks. Conrad Veidt (chosen because Lon Chaney was under contract to MGM) had gained fame almost a decade earlier by co-starring in the classic silent horror film The Cabinet of Dr. Caligari.



Story: King James II has young boy Gwynplaine (Veidt) disfigured so he will have a permnanent smile on his face, a cruel act of retribution against the boy's father. He is taken in by the owner of a travelling show and his disfigured face is a huge attraction. Years later he is discovered by the Queen's advisors, and the Queen orders a marriage between Gwynplaine and Duchess Josiana so he can claim his late father's estate.


Thoughts: Some very interesting stuff going on here, even if it never comes together in a completely satisfying way. Conrad Veidt's performance in the lead role is powerful and he gives us a memorable character to follow. The rest of the cast is also excellent. It's beautifully shot and contains some fascinatingly grim subject matter. The problem is, like many other films this year, the story just doesn't flow very well. Scenes that need to be explored more are too short and other scenes are too long. Leni is clearly a good director and he's got some good stuff here, perhaps just enough for it to work, but it leaves the impression that it could have been so much more, especially if they had kept the original ending of the novel.



Postscript: The film was a success despite mixed critical reaction. More notably, Conrad Veidt's Gwynplaine is one of the inspirations for the creation of Batman's arch nemesis The Joker.

Monday, May 11, 2009

The End of St. Petersburg (Vsevolod Pudovkin) **




Director: Vsevelod Pudovkin

Cast: Aleksandr Gromov, Vera Baranovskaya, Sergei Komarov

Background: Pudovkin had just finished Mother, where he gained fame with his montage style. The End of St. Petersburg was to be his follow up and was made to commemorate the the 10th anniversary of the Bolshevik Revolution.

Story: A peasant and the labor leader he helped get arrested find themselves on the same side in the Russian Revolution.

Thoughts: Certainly an admirable attempt to make an important film, but this is really a rambling, incoherent mess for the most part. Now Pudovkin certainly has some visual flair and that is certainly evident in some of the huge crowd scenes but the story gets lost amongst all the overwrought camerawork. We never really connect with any of the characters and thus it feels more like a history lesson than a movie. The narrative here could have been constructed much better than what we got and if that was done, it could have made this a very powerful film as Pudovkin's sweeping shots and multiple montages would have had a more compelling impact. I don't deny his skill as a technical director, but he lacks the skill of a storyteller in this film.

Postscript: Pudovkin would follow this up with another highly regarded film about the revolution, Storm Over Asia. However, his forays into the world of sound cinema were not nearly as successful as his earlier works, although he did keep working until 1952.